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Oil Paintings Come From United Kingdom
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Paul Signac
1863-1935 French Paul Signac Galleries Paul Victor Jules Signac was born in Paris on November 11, 1863. He followed a course of training in architecture before deciding at the age of 18 to pursue a career as a painter. He sailed around the coasts of Europe, painting the landscapes he encountered. He also painted scenes of cities in France in his later years. In 1884 he met Claude Monet and Georges Seurat. He was struck by the systematic working methods of Seurat and by his theory of colours and became Seurat's faithful supporter. Under his influence he abandoned the short brushstrokes of impressionism to experiment with scientifically juxtaposed small dots of pure colour, intended to combine and blend not on the canvas but in the viewer's eye, the defining feature of pointillism. Many of Signac's paintings are of the French coast. He left the capital each summer, to stay in the south of France in the village of Collioure or at St. Tropez, where he bought a house and invited his friends. In March 1889, he visited Vincent van Gogh at Arles. The next year he made a short trip to Italy, seeing Genoa, Florence, and Naples. The Port of Saint-Tropez, oil on canvas, 1901Signac loved sailing and began to travel in 1892, sailing a small boat to almost all the ports of France, to Holland, and around the Mediterranean as far as Constantinople, basing his boat at St. Tropez, which he "discovered". From his various ports of call, Signac brought back vibrant, colourful watercolors, sketched rapidly from nature. From these sketches, he painted large studio canvases that are carefully worked out in small, mosaic-like squares of color, quite different from the tiny, variegated dots previously used by Seurat. Signac himself experimented with various media. As well as oil paintings and watercolours he made etchings, lithographs, and many pen-and-ink sketches composed of small, laborious dots. The neo-impressionists influenced the next generation: Signac inspired Henri Matisse and Andr?? Derain in particular, thus playing a decisive role in the evolution of Fauvism. As president of the Societe des Artistes Ind??pendants from 1908 until his death, Signac encouraged younger artists (he was the first to buy a painting by Matisse) by exhibiting the controversial works of the Fauves and the Cubists.

 
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Paul Signac storm oil painting

Painting ID::  71331

X 
 

 Paul Signac
storm
mk290 1918 7x9in
   
   
     

 

 
Paul Signac east wind oil painting

Painting ID::  71332

X 
 

 Paul Signac
east wind
mk290 1918 7x9in
   
   
     

 

 
Paul Signac morning mist oil painting

Painting ID::  71333

X 
 

 Paul Signac
morning mist
mk290 1918 7x9in
   
   
     

 

 
Paul Signac gray weather oil painting

Painting ID::  71334

X 
 

 Paul Signac
gray weather
mk290 1918 7x9in
   
   
     

 

 
Paul Signac antibes oil painting

Painting ID::  71335

X 
 

 Paul Signac
antibes
mk290 1918 7x9in
   
   
     

 

 
Paul Signac blessing of the tuna boats oil painting

Painting ID::  71336

X 
 

 Paul Signac
blessing of the tuna boats
1923 28x35in
   
   
     

 

 
Paul Signac lighthouse oil painting

Painting ID::  71337

X 
 

 Paul Signac
lighthouse
mk290 1925 29x36in
   
   
     

 

 
Paul Signac flood at the pont royal oil painting

Painting ID::  71338

X 
 

 Paul Signac
flood at the pont royal
mk290 1926 35x45in
   
   
     

 

 
Paul Signac pont neuf oil painting

Painting ID::  71339

X 
 

 Paul Signac
pont neuf
mk290 1928 10x17in
   
   
     

 

 
Paul Signac poni royal with the gare d orsay oil painting

Painting ID::  71340

X 
 

 Paul Signac
poni royal with the gare d orsay
mk290 1929 11x17in
   
   
     

 

 
Paul Signac pardon of the newfoundlanders oil painting

Painting ID::  71343

X 
 

 Paul Signac
pardon of the newfoundlanders
mk290 1928 22x28in
   
   
     

 

 
Paul Signac The Pine, oil painting

Painting ID::  76069

X 
 

 Paul Signac
The Pine,
Paul Signac: The Pine, Saint Tropez, 1892-1893 cjr
   
   
     

 

 
Paul Signac The Pine oil painting

Painting ID::  77986

X 
 

 Paul Signac
The Pine
Oil on wood Gallery: Hermitage, St. Petersburg cyf
   
   
     

 

 
Paul Signac Paul Signac oil painting

Painting ID::  79132

X 
 

 Paul Signac
Paul Signac
Oil on canvas. 46 x 55 cm. cyf
   
   
     

 

 
Paul Signac Harbour at Marseilles oil painting

Painting ID::  79816

X 
 

 Paul Signac
Harbour at Marseilles
Oil on canvas. 46 x 55 cm. cyf
   
   
     

 

 
Paul Signac Women at the Well oil painting

Painting ID::  80144

X 
 

 Paul Signac
Women at the Well
Paul Signac: Women at the Well, 1892; Oil on canvas cjr
   
   
     

 

 
Paul Signac L'Hirondelle Steamer on the Seine oil painting

Painting ID::  80777

X 
 

 Paul Signac
L'Hirondelle Steamer on the Seine
Date 1901(1901) Medium Oil on canvas cjr
   
   
     

 

 
Paul Signac Le boulevard de Clichy, la neige oil painting

Painting ID::  81341

X 
 

 Paul Signac
Le boulevard de Clichy, la neige
Date 1886(1886) Medium Oil on canvas cjr
   
   
     

 

 
Paul Signac Railway junction near Bois-Colombes oil painting

Painting ID::  82538

X 
 

 Paul Signac
Railway junction near Bois-Colombes
Date 1885-1886 Medium Oil on canvas cjr
   
   
     

 

 
Paul Signac Paul Signac: Women at the Well oil painting

Painting ID::  84053

X 
 

 Paul Signac
Paul Signac: Women at the Well
1892; Oil on canvas Dimensions: 195 x 131 cm cyf
   
   
     

 
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Paul Signac
1863-1935 French Paul Signac Galleries Paul Victor Jules Signac was born in Paris on November 11, 1863. He followed a course of training in architecture before deciding at the age of 18 to pursue a career as a painter. He sailed around the coasts of Europe, painting the landscapes he encountered. He also painted scenes of cities in France in his later years. In 1884 he met Claude Monet and Georges Seurat. He was struck by the systematic working methods of Seurat and by his theory of colours and became Seurat's faithful supporter. Under his influence he abandoned the short brushstrokes of impressionism to experiment with scientifically juxtaposed small dots of pure colour, intended to combine and blend not on the canvas but in the viewer's eye, the defining feature of pointillism. Many of Signac's paintings are of the French coast. He left the capital each summer, to stay in the south of France in the village of Collioure or at St. Tropez, where he bought a house and invited his friends. In March 1889, he visited Vincent van Gogh at Arles. The next year he made a short trip to Italy, seeing Genoa, Florence, and Naples. The Port of Saint-Tropez, oil on canvas, 1901Signac loved sailing and began to travel in 1892, sailing a small boat to almost all the ports of France, to Holland, and around the Mediterranean as far as Constantinople, basing his boat at St. Tropez, which he "discovered". From his various ports of call, Signac brought back vibrant, colourful watercolors, sketched rapidly from nature. From these sketches, he painted large studio canvases that are carefully worked out in small, mosaic-like squares of color, quite different from the tiny, variegated dots previously used by Seurat. Signac himself experimented with various media. As well as oil paintings and watercolours he made etchings, lithographs, and many pen-and-ink sketches composed of small, laborious dots. The neo-impressionists influenced the next generation: Signac inspired Henri Matisse and Andr?? Derain in particular, thus playing a decisive role in the evolution of Fauvism. As president of the Societe des Artistes Ind??pendants from 1908 until his death, Signac encouraged younger artists (he was the first to buy a painting by Matisse) by exhibiting the controversial works of the Fauves and the Cubists.